The Strangled Darlings / Smut City Jellyroll Society

http://www.strangleddarlings.com
The music is built on deep sense of rhythm and groove, carried by George on mandolin and Jess on custom tenor bass & foot drums. His mandolin bursts out in a slalom of notes and snare drum rhythms. Her solid body custom tenor bass weaves an intricate counter melody and her feet pound a percussive groove. The voices and the lyrics are the hidden third member of the band and the story behind the music. The songs work with nontraditional subjects for inspiration. Some song subjects include: the works of great authors (Faulkner, William Blake, Gabriel Garcia Marquez, Donald Bartheleme, Anna Ahkmatova) as well as witchcraft in the Civil War, the morality of Somali piracy and the media impact of Neil Armstrong. subjects for inspiration. Some song subjects include: the works of great authors (Faulkner, William Blake, Gabriel Garcia Marquez, Donald Bartheleme, Anna Ahkmatova) as well as witchcraft in the Civil War, the morality of Somali piracy and the media impact of Neil Armstrong.�

https://smutcityjellyrollsociety.wordpress.com
The Smut City Jellyroll Society is a wild and crazy bunch of fun loving musicians playing blues and early jazz from the 1920’s and 1930’s. With a unique sound somewhere between ragtime blues, early jazz and jugband music, the Jellyroll Society keeps it loose and lively with a driving syncopated swing that gets the dancers out on the floor. The music is from a variety of sources: Bessie Smith, Memphis Minnie, The Harlem Hamfats, Memphis Jug Band, Blind Boy Fuller and others. The Society also has a couple of original tunes in the repertoire with more on the way. The lyrics are fun and a bit on the risqué side.